Sunhae Im – Orfeo(s) Italian and French Cantatas (2015) [24B-96kHz]
Quality：flac 24bits – 88.2kHz +booklet
Genre：JAZZ
Year Of Release：2015
Number：17
Total Time：01:09:19
Total Size：1.2 gb
Label：harmonia mundi
作为她第一张关于世界和声的个人独奏唱片，林森海选择了四首关于俄耳甫斯神话的康塔塔。这位神话般的歌手的歌曲甚至让野兽和无生命的岩石都感动得流泪，自从打动听众的情感成为音乐艺术作品的节目并为音乐描绘提供了广泛的可能性以来，他的形象就一直吸引着作曲家：阿卡迪亚的旋律魅力；俄耳甫斯和欧律狄刻举行婚礼时的舞蹈；欧律狄刻死后情绪的突然转变；俄耳甫斯大胆地下地狱；最后是通过富有表现力的独唱征服冥界神灵，甚至死亡本身。自1999/2000年在欧洲舞台上首次亮相以来，韩国女高音Sunhae Im在众多国际歌剧作品中展示了她的艺术才华和表演天赋。Sunhae曾与Philippe Herreweghe、William Christie、Fabio Biondi、Iván Fischer、Kent Nagano、Riccardo Chailly和RenéJacobs等指挥家合作，还经常与Akademie für Alte Musik Berlin和reiburger Barockorchester等合奏团合作演唱。
除了她的音乐会和歌剧生涯，她还是录音室的常客，经常为世界和声演奏，包括海顿为Esterházy家族创作的康塔塔，勒内·雅各布斯（Don Giovanni，Idomeneo，La clemenza di Tito，Die Zauberflöte，La finta giardiniera）指导的一系列莫扎特录音，巴赫的《马太受难曲》和海顿的《Die Schöpfung》，其中许多都获得了国际奖项。
For her first solo recital disc on harmonia mundi, Sunhae Im has chosen four cantatas dealing with the myth of Orpheus. The figure of the mythical singer, whose songs moved even wild beasts and inanimate rocks to tears, has fascinated composers ever since touching the listener’s emotions became the programme of the musical work of art and offering a wide range of possibilities for musical depiction: the melodious charm of Arcadia; the dances during the wedding celebrations of Orpheus and Eurydice; the abrupt change of mood at Eurydice’s death; Orpheus’ daring descent into Hades; and finally the subjugation of the underworld deities and even death itself through expressive solo singing. Since her stage debut in Europe in the 1999/2000 season, the South Korean soprano Sunhae Im has demonstrated her artistic versatility and her acting talent in numerous international opera productions. Sunhae has worked with such conductors as Philippe Herreweghe, William Christie, Fabio Biondi, Iván Fischer, Kent Nagano, Riccardo Chailly and René Jacobs, and also sings regularly with ensembles such as the Akademie für Alte Musik Berlin and the reiburger Barockorchester.
Alongside her concert and operatic career, she has been a frequent visitor to the recording studio, frequently for harmonia mundi, including Haydn’s cantatas for the Esterházy family, a series of Mozart recordings under the direction of René Jacobs (Don Giovanni, Idomeneo, La clemenza di Tito, Die Zauberflöte, La finta giardiniera), Bach’s St Matthew Passion and Haydn’s Die Schöpfung, many of which have been distinguished by international awards.
01. Orfeo, cantata for soprano, strings and basso continuo: Nel chiuso centro (Recitativo)-Euridice, e dove sei? (Aria)
02. Orfeo, cantata for soprano, strings and basso continuo: Sì, che pietà non v’è (Recitativo)-O d’Euridice (Aria)
03. Orphée, cantata for soprano and chamber orchestra: Le fameux chantre de la Thrace (Récitatif)-Fidèles échos de ces bois (Air tendre et piqué)
04. Orphée, cantata for soprano and chamber orchestra: Mais que sert à mon désespoir (Récitatif)-Allez Orphée (Air gai)
05. Orphée, cantata for soprano and chamber orchestra: Cependant le héros arrive (Récitatif)-Monarque redouté (Air fort lent et fort tendre)
06. Orphée, cantata for soprano and chamber orchestra: Pluton surpris d’entendre (Récitatif)-Chantez la victoire éclatante (Air gai)
07. L’Orfeo, cantata a voce sola con violini: Introduzione
08. L’Orfeo, cantata a voce sola con violini: Dall’oscura magion (Recitativo)-Chi m’invola la cara Euridice (Aria)
09. L’Orfeo, cantata a voce sola con violini: Ma di chi mi querelo (Recitativo)-Se mirando, occhi perversi (Aria)
10. L’Orfeo, cantata a voce sola con violini: Or poiché mi tradir (Recitativo)-Sordo il tronco (Aria)
11. L’Orfeo, cantata a voce sola con violini: Ah, voi m’abbandonate (Recitativo)-Il vanto del canto (Aria)
12. L’Orfeo, cantata a voce sola con violini: Così dicendo il gran cantor (Recitativo)-Sì, pietà de’ miei martiri (Aria)
13. Orphée, cantata for soprano and “symphony” (flute & strings): Par le charme vainqueur (Récitatif)
14. Orphée, cantata for soprano and “symphony” (flute & strings): Que du bruit de tes hauts exploits (Air)
15. Orphée, cantata for soprano and “symphony” (flute & strings): Mais son âme sensible (Récitatif)-J’ai pour témoin de ma victoire (Air)
16. Orphée, cantata for soprano and “symphony” (flute & strings): À ce penser flatteur (Récitatif)-Amour, c’est toi qui fais mon crime (Air)
17. Orphée, cantata for soprano and “symphony” (flute & strings): Inutiles regrets (Récitatif)-En amour il est un moment (Air)
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