Hélène Grimaud – The Messenger (2020) [Hi-Res]
Quality：24bit-96kHz FLAC (tracks+booklet)
Genre：Classical
Year Of Release：2020
Number：10
Total Time：01:18:38
Total Size：1.45 GB
Label：DG
MELANCHOLY AND HOPE HÉLÈNE GRIMAUD UNRAVELS A FASCINATING DIALOGUE BETWEEN THE WORLDS OF MOZART AND SILVESTROV
For her latest studio album, Hélène travels to Salzburg where she creates a fascinating juxtaposition between the eternal W A Mozart and the Ukrainian composer Valentin Silvestrov (b 1937) Hélène has long had a passion for Silvestrov’s music, which some call post modernist or even neoclassical ..”Like Arvo Pärt Silvestrov’s music is harmonic, which far from being a weakness, is an enlightenment in its own right and very powerful in its simplicity”, says Hélène The composer’s own words hint at why this is for her so intriguing I do not write new music My music is a response to and an echo of what already exists”
In selecting the music for this album, Hélène has carefully chosen music by Mozart that fits into an overall dramaturgy from Mozart’s famous unfinished D minor Fantasy, Helene transitions seamlessly into the great D minor concerto K 466 one of the most popular amongst Mozart’s 27 concertos (and one of only two in a minor key) The C minor Fantasy here signals “the end of Mozart” and a new beginning The Messenger starts with a theme reminiscent of Mozart, and like a messenger, creates a connection between the present and the world that existed before Melancholy and hope, sadness and exuberance can be felt emanating from both Mozart’s and Silvestrov’s works The Messenger, one of Silvestrov’s most performed works, is dedicated to his wife Larissa Bondarenko who had recently passed away The Two Dialogues with Postscript that serve here as an epilogue, leave the outcome open, leading the way to Schubert, Wagner and beyond
《忧郁与希望》HÉLÈNE GRIMAUD揭示了莫扎特和西尔维斯特洛夫世界之间的精彩对话
在她最新的录音室专辑中，Hélène前往萨尔茨堡，在那里她将永恒的莫扎特与乌克兰作曲家瓦伦丁·西尔维斯特洛夫（1937年出生）巧妙地结合在一起。HéL232ne长期以来对西尔维斯特罗夫的音乐充满热情，有人称之为后现代主义，甚至新古典主义……“就像阿尔沃·佩尔特·西尔维斯特洛夫的音乐是和谐的，它远不是一个弱点，它本身就是一种启蒙运动，它的简单性非常强大，”作曲家Hélène说。她自己的话暗示了为什么这对她如此有趣。我不写新的音乐。我的音乐是对已经存在的东西的回应和回应。”
在为这张专辑选择音乐时，Hélène精心挑选了莫扎特的音乐，这些音乐符合莫扎特著名的未完成D小调幻想曲的整体戏剧风格，Helene无缝过渡到大调D小调协奏曲K 466，这是莫扎特27首协奏曲中最受欢迎的一首（也是仅有的两首小调协协奏曲之一）。C小调幻想在这里标志着“莫扎特的终结”和一个新的开始。信使以一个让人想起莫扎特主题开始，就像信使一样，在莫扎特和西尔维斯特洛夫的作品中都可以感受到忧郁和希望、悲伤和繁荣。西尔维斯特罗夫最出色的作品之一《信使》献给他的妻子拉里萨·邦达伦科，她最近去世了，这两段对话的后记作为结尾，让结果开放，引领舒伯特、瓦格纳和其他人
1. Fantasia No. 3 in D Minor, K. 397 (5:47)
2. Piano Concerto No. 20 in D Minor, K. 466 : I. Allegro (Cadenza Beethoven) (13:53)
3. Piano Concerto No. 20 in D Minor, K. 466 : II. Romance (9:01)
4. Piano Concerto No. 20 in D Minor, K. 466 : III. Rondo. Allegro assai (Cadenza Beethoven) (7:33)
5. Fantasia No. 4 in C Minor, K. 475 (11:37)
6. The Messenger (For Piano and Strings) (10:27)
7. Two Dialogues with Postscript : I. Wedding Waltz (4:59)
8. Two Dialogues with Postscript : II. Postlude (3:02)
9. Two Dialogues with Postscript : III. Morning Serenade (2:50)
10. The Messenger (For Piano Solo) (9:37)
1RSG6_aBG_IYdbZElR1Et3g🐎🐎4k2i
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