Martha Argerich Plays Chopin: The Legendary 1965 Recording 2021
简介
格式：FLAC
码率：24 bit / 192 kHz (Tracks)
流派：古典
发行日期：1999/2021
收录曲数：10
录音时长：
总大小：2GB
公司：EMI Classics
唱片公司的政治使得这张阿根廷钢琴家玛莎·阿格里奇的精彩唱片在34年内无法发行。这位spitfire音乐家创作了一套强有力的肖邦最受喜爱的作品，至今仍令人着迷。强烈而华丽–杰森·维林德
今天一位无可争议的无与伦比的钢琴家演奏了她的一些主要曲目——她在1965年华沙国际肖邦大赛中获胜后几个月内重新录制——这张唱片怎么可能在正式发行前在地下室里被保存了几十年呢？将其归因于竞争对手唱片公司的排他性条款和法律限制，即使是在洛格的帮助下，沃坦也无法摆脱这些限制。谢天谢地，这个姗姗来迟的EMI版本——在Abbey Road工作室的几次会议中录制——终于面世了。
这是对阿格里希在唱片上对肖邦的其他描述的重要补充。从阿格里希与这位作曲家白热化的关系中，你可以很容易地推断出最近在华沙让陪审团大吃一惊的事情。这位阿根廷钢琴家将第三首奏鸣曲作为一个巨大的、声音洪亮的、影响深远的陈述，它既包含了融化的力量，也包含了几乎令人无法忍受的亲密抒情时刻（仔细聆听她在拉戈舞曲中的照明手势）。阿格里希以一种典型的非受迫性的自发性，发出了惊心动魄的和弦，开始了最后一集（一拍录制）；她在《第四夜曲》中的流畅感是肖邦即兴创作幻觉的完美融合。她掌握了作曲家在第三谐谑曲中的变化无常的逻辑——情感上的和音乐上的——并将三首玛祖卡舞曲完美地塑造成了人物作品。对于那些习惯于驯服肖邦的人来说，阿格里希个性的纯粹力量似乎是压倒一切的——听听她是如何跳进a字平底波兰舞曲的——但它总是在工作，抹去陈词滥调，揭示音乐的丰富表现力。对于那些了解阿格里希艺术的人来说，这张光盘是不可或缺的；任何尚未做出这一令人羡慕的发现的人都会发现它（连同飞利浦《伟大的钢琴家》系列中的阿格里奇选集）是一个伟大的起点–托马斯·梅
Record-label politics prevented this awesome recording of Argentinean pianist Martha Argerich from being released for 34 years. The spitfire musician delivers a powerful set of Chopin’s best-loved works that still sounds riveting today. Intense and gorgeous. –Jason Verlinde
How can it be that a recording by one of today’s indisputably unequaled pianists performing some of her prime repertory–made fresh within months of her triumph in the 1965 Warsaw International Chopin Competition–could languish for decades in the vaults before its official release? Chalk it up to the exclusivity clauses of rival recording companies and legal constraints from which not even Wotan with the help of Loge could extricate himself. Thankfully this belated EMI release–recorded in a few sessions at the Abbey Road studios–is finally available.
It’s a significant complement to Argerich’s other accounts of Chopin on disc. From the white-hot intensity of Argerich’s way with the composer, you can easily extrapolate a sense of what had recently wowed the jury in Warsaw. The Argentinean pianist undertakes the Third Sonata as a vast, big-voiced, far-reaching statement that encompasses both molten power and moments of almost unbearably intimate lyricism (listen closely to her gestures of illumination in the Largo). With a characteristically unforced spontaneity, Argerich sounds the shattering chords that launch the finale (recorded in one take); her sense of flow in the Nocturne No. 4 is a perfect mesh for the illusion of improvising that is so central to Chopin. She commands the logic–both emotional and musical–of the composer’s skittish turns in the Scherzo No. 3 and crafts three of the mazurkas into perfectly chiseled character pieces. The sheer force of Argerich’s personality might seem overwhelming to those accustomed to a tamer Chopin–listen to how she dives into the A-flat Polonaise–but it’s always at work dusting off tired clichés and uncovering the music’s expressive wealth. For those who know about Argerich’s artistry, this disc is indispensable; anyone who has yet to make that enviable discovery will find it (together with the Argerich anthology in Philips’ Great Pianists series) a great place to begin. –Thomas May
01. Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso (2021 Remastered Version) (8:49)
02. Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo (2021 Remastered Version) (2:41)
03. Piano Sonata No. 3 in B Minor, Op. 58: III. Largo (2021 Remastered Version) (8:40)
04. Piano Sonata No. 3 in B Minor, Op. 58: IV. Finale. Presto non tanto (2021 Remastered Version) (4:50)
05. Mazurka No. 36 in A Minor, Op. 59 No. 1 (2021 Remastered Version) (3:49)
06. Mazurka No. 37 in A-Flat Major, Op. 59 No. 2 (2021 Remastered Version) (2:51)
07. Mazurka No. 38 in F-Sharp Minor, Op. 59 No. 3 (2021 Remastered Version) (3:06)
08. Nocturne No. 4 in F Major, Op. 15 No. 1 (2021 Remastered Version) (3:39)
09. Scherzo No. 3 in C-Sharp Minor, Op. 39 (2021 Remastered Version) (7:07)
10. Polonaise No. 6 in A-Flat Major, Op. 53 “Heroic” (2021 Remastered Version) (6:37)
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