乔治·格什温 -蓝色狂想曲

乔治·格什温 -《蓝色狂想曲》(Rhapsody in Blu)[RCA 82876-61393-2] Living Stereo SACD系列 [TAS发烧名碟] [SACD-R]

简介

专辑中文名: 蓝色狂想曲
专辑英文名: Rhapsody in Blu
艺术家: 乔治·格什温.
音乐类型: 试音碟
版本: [RCA 82876-61393-2] Living Stereo SACD系列 [TAS发烧名碟] [SACD-R]
发行时间: 2005年
地区: 美国
出品公司：SONY BGM MUSIC
唱片编号：RCA 82876-61393-2
演奏：波士顿大众管弦乐团 Boston Pops Orchestra
指挥：费德勒 Arthur Fiedler
钢琴弹奏：厄尔·怀尔德
作曲：乔治·格什温

　　乔治·格什温（1898-1937），犹太血统的美籍俄裔，早年曾一度学习古典音乐，不久即放弃并转入流行乐界，为百老汇舞台剧作曲。1924年他应著名爵士乐团指挥怀特曼委托谱写出钢琴和管弦乐器演奏的《蓝色狂想曲》。之后乔治·格什温试图以古典和爵士音乐的结合发展他的“交响爵士乐”，终于成为融合流行与爵士的音乐大师。早在乔治·格什温创作生涯的初期，他就怀有成为严肃音乐家的雄心壮志。因此，当保罗·怀特曼为组织“现代音乐实验”音乐会而邀请他写一部“爵士协奏曲”时，乔治·格什温很感兴趣，他一直向往着写作掺有爵士乐因素的严肃音乐。不过怀特曼给的期限太紧，而且他早就发布了乔治·格什温将为这次音乐会作曲、并亲自担任钢琴独奏的消息。这样，乔治·格什温一点退路也没有了。
　　据说乔治·格什温是在去波士顿的旅途中创作本曲的，他事后曾这样描述：“那是在火车上，可以听到铿锵的节奏和隆隆的撞击声……我经常在噪音深处听见音乐。就在那里，我忽然从头至尾构筑出——甚至是跃然纸上–……”从波士顿返回仅一星期，除了少数钢琴独奏的华彩乐段外，乔治·格什温完成了全曲的钢琴谱。至于那几个华彩乐段，他准备留到首演时作即兴创作。
　　乐曲完成后，乔治·格什温为作品的标题大伤脑筋，直到离初演只有几天时才最后定名。因为蓝色（blue）同作品中所采用的起源于美国黑人劳动歌曲和灵歌的布鲁斯（blues）曲调正好是同一个词，故最终采用了《蓝色狂想曲》之名。《蓝色狂想曲》是为钢琴和管弦乐队而写的类似单乐章的协奏曲作品，其中主题的即兴式表达同交响性的发展有机地结合在一起。黑人布鲁斯音乐的调式及和声因素、爵士音乐的强烈的切分节奏和滑音效果，都赋予这部构思独特的作品一种与众不同的色彩。乔治·格什温在这部作品中，对那些情绪全然不同的段落的安排，如抒情性与戏剧性，舞蹈性与歌唱性的对置，也颇具匠心。
　　在RCA公司这款唱片中担任钢琴主奏的是美国钢琴家厄尔·怀尔德，担任协奏的是大名鼎鼎的亚瑟·费德勒指挥波士顿大众管弦乐团。这张碟也被TAS评为发烧天碟。

George Gershwin (1898-1937), a Russian American of Jewish origin, studied classical music in his early years, but soon gave up and turned to pop music to compose for Broadway stage plays. In 1924, he was commissioned by the famous jazz orchestra conductor Whitman to compose Rhapsody in blue for Piano and Orchestra. After that, George Gershwin tried to develop his “Symphony Jazz” by combining classical and jazz music, and finally became a master of music integrating pop and jazz. Early in his creative career, George Gershwin had the ambition to become a serious musician. So when Paul Whitman invited him to write a jazz Concerto for the modern music experiment concert, George Gershwin was interested in writing serious music with jazz elements. But Whiteman’s deadline was too tight, and he had already announced that George Gershwin would compose for the concert and play piano solo himself. So George Gershwin had no way out.
George Gershwin is said to have composed the song on a journey to Boston. He later described it as: “it was on the train, and you could hear the sonorous rhythm and the rumbling crash sound I often hear music in the depths of the noise. It was there that I suddenly constructed from the beginning to the end – even on paper — ” Only a week after returning from Boston, George Gershwin completed the piano score of the whole piece, except for a few brilliant pieces of piano solo. As for those colorful passages, he is going to leave them to improvise at the premiere.
After the music was finished, George Gershwin agonized over the title of the piece until it was only a few days before the premiere. Because blue is exactly the same word as blues, which originated from African American labor songs and spiritual songs, it eventually adopted the name of Rhapsody in blue. Rhapsody in blue is a single movement concerto written for Piano and Orchestra, in which the impromptu expression of the theme is organically combined with the development of symphony. The mode and harmony of black blues music, the strong syncopation rhythm and glide effect of jazz music all give this novel a distinctive color. In this work, George Gershwin also has great ingenuity in the arrangement of paragraphs with totally different emotions, such as lyric and dramatic, dance and singing.
American pianist Earl Wilder is the lead pianist in RCA’s record, while the famous Arthur Federer conducts the Boston Public orchestra as the concerto. This disc has also been rated by TAs as “fever day dish”.

曲目

1. Rhapsody in Blue
2. Concerto in F – I – Allegro
3. Concerto in F – II – Adagio; Andante con moto
4. Concerto in F – III – Allegro agitato
5. An American in Paris
6. Variations on “I Got Rhythm”
7. Cuban Overture

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